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Reframed The Podcast: Daily Summaries Delivered
by Frame Set
"Reframed" is a show that helps growing filmmakers learn from the creators behind inspiring new work, offering real insights, practical tools, and a stronger sense of connection within the film community.
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The most recent episodes — sign up to get AI-powered summaries of each one.
- 2 weeks ago27 min
Cheap In-Camera Tricks That Made This Music Video Look Expensive
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4jSud3C▶ About This Episode:DP Philipp Hafner joins Dylan Hahn to break down "Bésala Mucho" for Tamara Flores and Tourist, directed by Rupert Höller. They walk through in-camera LED strobes, an eight-light face rig played live by the gaffer on a keyboard, a lake platform near Vienna standing in for open sea, Vaseline painted onto filters over Mamiya lenses on a RED Komodo, a milk and saltwater cloud tank, flashlights hidden in sleeves, and reshooting the entire edit through an aquarium over a MacBook. They also get into why the idea matters more than the budget, building trust with a repeat director, and the value of experimenting on set.
- 3 weeks ago55 min
Using Water as a Lens for Royd Ringdahl’s Football Film
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4scV24H▶ About This Episode:South African director Royd Ringdahl joins Dylan Hahn to break down "City of Gold," his Adidas film for Orlando Pirates celebrating Johannesburg ahead of the club's 90th anniversary. They walk through refracting shooting footage through a tray of water over an iPad, a teleprompter mirror rig for on-set ripples, painting the frame with a single handheld LED light and masking each subject together in post, bouncing sunlight with mirrors, a Panasonic P2 riding alongside the RED Raptor, and wire work down a spiral staircase into an old bank's gold vaults. They also get into writing the script as a love letter to the city, Royd's mining family roots, locking the music before the edit, and turning a 90 second deliverable into a director's cut.
- 4 weeks ago42 min
How Christian Vergara Shot an Entire Commercial in a White Room
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/3U8BDoY▶ About This Episode:Director Christian Vergara joins Dylan Hahn to break down his self funded Theragun spec commercial. They walk through shooting three athletes against a cyc wall with two ARRI Alexa 35s on a Fisher dolly, a rolling Xbox Kinect rig blended with Polycam scans, in camera filtration, and sourcing hospital grade monitors from a suburban Chicago medical warehouse. They also get into using a treatment and Milanote briefs to define the creative sandbox, leaving an agency job to direct full time, and why spec work is a reminder to play.
- Sep 18, 202641 min
Building a Y2K Era Reality With Director Niklas Hugo
▶Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4xYM4Kp▶About This Episode:Director Niklas Hugo joins Dylan Hahn to break down his Y2K-inspired commercial for Offhand, "Diamond Drive Country Club." They walk through building one long dolly track that they reshuffled for multiple setups, faking rain with the fire department to soak the whole cast, and shooting on film. They also get into cutting to a drummer's internal rhythm, choosing tone and heightened reality over chasing perfect images, and protecting the creative fire that got him into filmmaking in the first place.
- Sep 10, 202658 min
Everything That Makes Loris Russier's Work So Tasteful
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4ir24A9▶ About This Episode:Director Loris Russier joins Dylan Hahn to break down his Tissot commercial, a three sport tribute to dedication built around NBA star Damian Lillard, Tour de France cycling, and MotoGP. Loris walks through the all practical approach behind the film, including a hand built infinity mirror box, a sunrise basketball shoot staged on a repurposed boat platform, macro watch inserts shot on a Phantom camera, and an interesting use of reflective spray. They also get into the department matrix that ran pre production, balancing warm and cool color across three shooting days in Georgia plus a separate studio day with Damian Lillard in Portland, and why Loris considers this his most personal work yet.
- Sep 1, 202642 min
Why Filmmakers Sacrifice Themselves for a Music Video
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4ybXaeI▶ About This Episode:Director Ádám Halmos joins Dylan Hahn to the podcast to break down his music video for Brumiko's "Sör, Unicum," which features Hungarian film legend Reviczky Gábor, Ádám's own childhood cinema hero. Ádám explains shooting his first ever project on 16mm film with only 40 minutes of stock, wrangling horses and motorcycles inside an active quarry, rebuilding a prop heart in VFX after the real one looked fake on camera, and trusting DP Fabó Tóth's eye on a black and white monitor that was hard to see. He also gets into directing without the safety net of digital playback, casting for real chemistry between his actors, and what it meant to work alongside one of Hungary's most legendary performers.
- Aug 25, 202638 min
Not a Shred of AI - BRICK Commercial Breakdown with Damien Blue
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4iru9XM▶ About This Episode:Director Damien Blue returns to the podcast to break down two spots he directed for Brick. Damien walks through shooting a reversed paper throw at 120fps on 16mm film, wiring a custom LED light fixture shipped in from Australia, and combining a zoom out with a Dana Dolly slide for the final shot. He also gets into shooting practical effects in the age of AI, casting a real life couple for on screen chemistry, and building out his own home as a recurring set.
- Aug 14, 202639 min
How Director Josh Cohen Made Impossible Shots That Look Expensive
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4i3vgNe▶ About This Episode:Director Josh Cohen joins Dylan Hahn to break down the Doritos x Formula 1 commercial starring Gordon Ramsay. Josh explains how a snowed out Toronto shoot forced the team into 3D truck scans and CG exteriors, how a moving light on a push cart replaced a volume stage they couldn't afford, and how the camera shake, blowtorch transition, and jalapeno explosion were all built in camera. He also gets into working with VFX house Wicked Pixels, printing the final film back to 16mm, and why he chose to edit the project himself.
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About Reframed The Podcast
"Reframed" is a show that helps growing filmmakers learn from the creators behind inspiring new work, offering real insights, practical tools, and a stronger sense of connection within the film community.
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