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New Books in Art: Daily Summaries Delivered
by Marshall Poe
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.comSubscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetworkSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Latest Episodes
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- 3 days ago48 min
The Invisibility Of Religion In Contemporary Art with Jonathan A. Anderson and James Elkins
In this episode of the Books for Better Understanding series from Notre Dame Press, David Carlson hosts Jonathan A. Anderson and James Elkins for a discussion of Anderson's new book, The Invisibility Of Religion In Contemporary Art (U Notre Dame Press, 2025). Order your copy here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- 4 days ago42 min
Art for the White House: A Changing Portrait of America with Leslie Greene Bowman (White House Association, 2026)
With Art for the White House: A Changing Portrait of America (White House Association, 2026), Leslie Greene Bowman presents a wholly new perspective on the White House fine arts collection, revealing how all two-hundred and fifty years of America’s history can be told through the collection.Art for the White House begins with the story of how the collection was created—slowly and cautiously—as our young nation was eager to distinguish itself from artwork that could be associated with the patronage and luxuries of European monarchs. The very first work of art authorized by Congress was a painting that remains one of the greatest works of art in any collection of American art, George Washington by leading American portrait artist, Gilbert Stuart. This is the painting Dolley Madison saved in 1814 when the British set the White House afire and this painting has presided on the walls of the State Rooms longer than any other work of art. Bowman explains, “It is a touchstone to America’s violent and aspirational birth and a tribute to the success of its fragile experiment in the face of globally dominant, centuries-old monarchies.”Despite the symbolism of the first acquisition, the collection that was created and ultimately grew to more than 500 paintings, illustrations, and sculptures, was slow to develop both because the nation was young and trying to define itself and also because of the government’s lack of resources. American art had matured in the 19th century, establishing strengths in landscape, still-life, and genre scenes, but the White House’s collection remained limited. Bowman attributes much of the credit for the growth of the collection to First Lady Jacqueline Kennedy who “made the nation’s history a priority for her expansion of art holdings.” In less than three years, Mrs. Kennedy had transformed the house and art collection. Not only had it doubled in size, it represented the nation’s finest artists and included a variety of subject matter including still lifes, landscapes, history, and genre scenes. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- 5 days ago1h 15m
Russian Archaism: Nationalism and the Quest for a Modernist Aesthetic with Irina Shevelenko (Cornell UP, 2024)
Irina Shevelenko's Russian Archaism: Nationalism and the Quest for a Modernist Aesthetic (Cornell University Press, 2024) discusses the late-19th and early 20th century search for an archaic Russian folk tradition that could ground Russian art in an idiom independent of “The West.” While the [re]discovery of 14th and 15th century icon painting partially achieved this goal, Russian Modernists most often ended up creating art that was entirely new and which owed little to Russian folk tradition; the audience for this art was, after all, that same Western and Westernized elite. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- 1 weeks ago1h 6m
Art for War: Heritage Looting, Blood Antiquities, and the International Fight Against Terrorism Financing with Costanza Musu (Stanford UP, 2026)
Understanding the world of art—particularly antiquities and archaeological artifacts—requires tracing how objects are removed from the ground, displaced by conflict or economic hardship, and ultimately reappear in the international art market. The odyssey of an artifact from its excavation site to an auction house, a private collection, or a museum display case raises a host of pressing concerns about the fragility of cultural heritage but also the global mechanisms that sustain its circulation. In recent years, growing awareness of a possible link between the illegal antiquities trade and terrorist financing has brought new scrutiny to regions marked by war and instability, particularly in the Middle East. In such places, archaeological sites are especially vulnerable to looting and illicit excavation, with the profits from these "blood antiquities" sometimes flowing back to fund further violence.Art for War: Heritage Looting, Blood Antiquities, and the International Fight Against Terrorism Financing (Stanford UP, 2026) by Dr. Costanza Musu examines how this transformation in perception—from an archaeological concern to a matter of international security—reshaped the global response to antiquities trafficking. Viewing the trade through a security lens, the book offers scholars, policymakers, and students of international affairs a new way to understand how the protection of cultural heritage became entangled with the politics of counterterrorism and global security, sparking new debates over art, heritage, and security.This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- 2 weeks ago1h 15m
Neil Selkirk on Why Photographs?
When Neil Selkirk first saw one of Arbus’s photographs as a young man at someone’s house in London, it almost sent him screaming into the street. Unsettled and shaken, the encounter instead opened his eyes to the uncanny powers of photography. It turned Selkirk into an important photographer and, ultimately, an indispensable collaborator to some of the greatest photographers of all time, including Richard Avedon, Diane Arbus, and other greats. In our conversation on great photographers and the art of photography, based on Selkirk’s edited book Why Photographs? (Warbler, 2026) we discuss essential dimensions of photography, including riveting detail, spontaneity, credibility, and the gift of chance, and how they were celebrated by early photographers but soon denounced by an establishment that saw photography as a threat to painting. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- 3 weeks ago42 min
The Kennicott Bible: A Masterpiece of Jewish Book Art with Katrin Kogman-Appel (Bodleian Library, 2023)
Katrin Kogman-Appel is a professor of Medieval Jewish history with research focusing on book culture, readers, and reading practices in medieval Europe and beyond. In The Kennicott Bible: A Masterpiece of Jewish Book Art (Bodleian Library, 2023) she discusses the text of the 24 canonized books of the Bible that is paired with David Kimchi's grammatical treatise “Sefer Miklol”. Katrin discussed the Kennecott Bible, a medieval Hebrew manuscript that contains unique illustrations and Masoretic text annotations. She explained that the manuscript draws inspiration from various sources including the Severa Bible and playing cards from the Rhineland and Netherlands, with some illustrations depicting animals in unusual positions and a political allegory involving hares, wolves, cats, and mice. Katrin described the Masoretic text as a lexical apparatus designed for precision in transmitting the canonical Hebrew text, and emphasized that the Bible served as a status symbol and public art piece for Jewish elites despite having no public art in synagogues. A collection of reproduced images from the Kennicott Bible, a remarkable artifact from the Middle Ages. The Kennicott Bible is one of the most celebrated Hebrew Bibles that survives today, having delighted readers since its creation in 1476. Originating from La Coruña in northern Spain, it features lavish carpet pages, gold leaf silhouettes, and abundant marginal decorations. This extraordinary manuscript is a treasure trove of history, culture, devotion, art, and cross-cultural collaboration. This book features reproductions of the decorated pages of the stunning manuscript, accompanied by four chapters authored by experts in the fields of Bible study, book history, and medieval Jewish art. The authors discuss the Bible from several perspectives, explaining the Hebrew text of the Bible, the scribe who created the pages, the layout and paleography, and the illuminator who produced the Bible's decoration and its imagery. This volume also includes an analysis of the early medieval commentary on the Old Testament, the Masorah. Richly illustrated throughout, this beautiful book makes a treasure of Jewish art available for a new audience, alongside the latest scholarship on its origins, provenance, and creation. Analyzing these ancient texts in historical context helps to enrich our understanding of the effects and reactions to historical and cultural events.Be sure to follow Jewish Tapestry for more on Jewish history and culture. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- 3 weeks ago34 min
"The humanities should really matter to STEM disciplines" with Yasmín Hernández and Baruch Vergara
This is the first episode in a series that explores the intersections of science and the humanities in university life. In today’s conversation, Jeffrey Herlihy-Mera is joined by artists Yasmín Hernández and Baruch Vergara for a discussion about Herlihy-Mera's article “The humanities should really matter to STEM disciplines.” They explore the relationship that art and the humanities have with science, technology, engineering, and mathematics—and consider why that relationship matters more than ever. The discussion begins with a central question: What can the arts and humanities contribute to STEM education? If art cultivates forms of observation, experimentation, imagination, interpretation, and creative problem-solving that are essential to scientific and technological work, how can educators work within institutions that separate the Humanities from STEM experiences? What might change if scientists used art and visual thinking as approaches to problem solving? How would science change if art became a tool for empirical inquiry? And, looking in the other direction, what can science teach the humanities about the mind, perception and the boundaries of what we know?These questions become especially urgent in the age of artificial intelligence.This series asks us to reconsider the boundaries between disciplines. At stake is more than the future of the university. It is what kinds of intelligence we want our universities to cultivate - and also, what kinds of experiences we want students to have as they learn, explore, and make sense of their worlds.The Instituto Nuevos Horizontes is housed at the Universidad de Puerto Rico-Mayagüez.Quotes, themes, and ideas from this conversation: • The STEM-ification of the university, expansion of majors and programs• Decline and elimination of humanities, arts, and language programs• When engineering is a model for other disciplines• “STEAM” initiatives that add Arts to STEM• Emphasis on technical skills over interpretive faculties• “Career readiness” over “citizenship” as an institutional objective• The STEM-ification of the university “Painting is solving a problem on canvas.” -Yasmín Hernández“Children are conditioned to make that division (between STEM and the Arts) since elementary school.” -Yasmín Hernández “Experimentation is what brings curiosity. It is not a precise thing. Art is a new way to look.” -Baruch Vergara“An image can express a pre-linguistic relationship that we have with the idea.” -Jeffrey Herlihy-Mera“Play is the first form of experimentation...you free yourself from the expected outcome.” -Yasmín Hernández“From art comes a new level of awareness, freeing ourselves from the expected outcome to access something that is beyond.” -Yasmín Hernández“Music is an activity that can access concepts that are beyond consciousness.” -Jeffrey Herlihy-Mera Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- 3 weeks ago40 min
Painting Paranoia: Cold War Art and Anti-Communism with Julia Bailey (U Illinois Press, 2026)
The Soviet Union’s rise as a totalitarian state and economic rival to the United States sparked a cultural cold war. The conflict was colored by paranoia and a mindset that pitted the USSR’s state-sponsored Socialist Realism against its so-called opposite: Western art in general and Abstract Expressionism in particular. But can one version of art be the opposite of another?Julia Tatiana Bailey teases out the complexity and artificiality of the persistent narrative of US and Soviet artistic otherness. She explores why this notion was introduced and how it shaped the art of both countries. She also analyzes and deconstructs the ideological frameworks that have estranged the art of the USSR in Western art history. In doing so, Bailey reveals the Cold War biases and institutionalized responses that influence the politicized histories of art even today. Drawing on previously unpublished archival material from Russia and the US, Painting Paranoia: Cold War Art and Anti-Communism (University of Illinois Press, 2026) investigates how the myth of Soviet otherness contributed to America’s postwar artistic identity.Julia Tatiana Bailey is an art historian and curator and Director of Galerie Rudolfinum in Prague.Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
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About New Books in Art
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.comSubscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetworkSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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